Why You Need to Wach “The Shallows.”

First off, this movie should never be compared to JawsThe Shallows has Blake Lively in it, so that should settle that dispute. Just because there is a shark in each movie does not mean that you should compare them because they are entirely different. The Shallows is a “horror-survival” movie, and Jaws is a “horror-thriller” film. But, let’s get back to Blake Lively because this movie is all about her character, Nancy, who deals with her family and career issues by revisiting a place that meant an exclusive deal to her mother who recently passed away. Nancy gets stranded on a rock 200 yards from shore having to deal with a shark that is waiting to eat her for breakfast. She must use her wit and determination to survive.

​If you are a girl and you are a fan of Blake Lively, then this movie is for you because her character is the heroine that women need. If you are a guy and you are in love with Blake Lively, then this movie offers you a lot of one on one time with her. It may be your only chance to have a date night/girls night out with Blake Lively.


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​If that reason wasn’t enough, then I got one word for you: shark. Here’s another reason: She is in a bikini for the majority of the movie. If I need to keep convincing, you then keep reading.
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​This is a very high concept film, meaning that the plot is simple. Can she get off the rock and escape from the shark? I mean, who doesn’t want to see a beautiful blonde get attacked by a shark? It’s thrilling, seductive and it gets us to bite, hooking us from the beginning to the end of the film. The plot is similar to any low-budget horror movie, specifically slasher films. This is the one location, few characters, a monster, and a beautiful girl type of story. It provides the same thrills as a slasher film, but guess what? Human beings are addicted to being scared. We are addicted to that specific type of stimulation that we get when seeing a monster hunt down a beautiful girl. Hollywood has made millions upon millions of dollars selling that cheap thrill to audiences for years. Cheap thrills are fantastic, and that is why you need to see this movie in theaters before it becomes a “rainy day” cult film. Seeing this film in theaters is the only way to get the most out of this movie because no other viewing format will give you the same experience than seeing it on the silver screen.
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​Blake Lively does something that Spielberg and Jaws can’t do for you, she makes sharks seductive. If Speilberg made sharks scary and horrifying, then Blake Lively made them sexy.

Nancy is a character that has to overcome significant adversity before and after encountering the shark. It was astounding to see Blake Lively’s performance because she made the audience feel her angst more and more from scene to scene. Her performance was incredible because it is tough to carry a film all by yourself. Seeing her performance in The Shallows made me realize that if she is paired with the right director and has the right character and script that she can be a real Oscar contender.

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​The world needs more movies like The Shallows, one with a strong female heroine that overcomes significant dramatic adversity.  Nancy (Lively) hits us with a “tidal wave” of emotions in her survival situation. It is always amazing to see the thematic elements of survival in films because when one is put on a rock and has to face a hungry shark, we get to know the vulnerability of the character to their fullest potential. This helps peel layer after protective layer away, helping the audience become one with the who Nancy is. That is why survival is such an appealing subject in cinema.

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Get your friends together and meet up at the theater to see this film because I assure you, it will be an awesome time out. The Shallows is your opportunity to spend a lot of one on one time with Blake Lively. Guys, this may be the only time you may get to go on a date with her. Girls, she is the girlfriend that you have always wanted because she will give you an adventure packed, thrilling experience that you will never get in your lifetime unless you go and see this film.  This is your chance to have your night out with Blake Lively, and the only way to fulfill that notion is to go see it in theaters because seeing movies in theaters is more fun with Blake Lively.
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Remember,

“The Zos Knows”

-David Zosel 

If you want to support my writing and for me to be able to create more content you can make a donation here: Venmo

Why You Need to Watch “Meet The Patels.”

​”Hey, I know we don’t know each other, but we are going to spend the rest of our lives together. So, let’s just get married and we will figure out the rest of all that stuff later. Does 10 am at the courthouse work for you tomorrow? Okay, I’ll see you there.”

And that is how arranged marriages work in the Indian culture. Well, sort of.

For the first 10 minutes of viewing this film, I thought that I was watching an Indian- American romantic comedy. Sounds like a remarkable change of pace from standard rom-com’s, right? Boy, was I wrong? Meet The Patels is a thought-provoking documentary film about a first generation Indian-American named Ravi V. Patel struggling to find love in American Society which contrasts with his family’s cultural beliefs. This documentary is so tasteful and refreshing that I had no idea that I was watching a documentary. I thought I was watching an actual film. Along with many other reasons why I will give you to watch this film, this notion is the “rice” that tips the scale, making this one of the best documentaries that I have ever seen in the last five years.


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The logline states:

“With his 30th birthday just around the corner, Ravi Patel finds himself in a love triangle — with the woman of his dreams and his parents.”
​This film speaks in depth about the success of arranged marriages in the Indian culture, comparing it to its western counterpart. The divorce rate in the US is skyrocketing, making the subject about how love works in Indian culture so fascinating. My favorite part of the film explains how the Indian caste system works, and the history of immigration of Indian-American’s in our country. I loved learning about a new culture in terms of the specific aesthetic in which the film’s subject matter talks about. Indian culture is ginormous, so learning about the Gujarat people educated the hell out of me.

Before the film, Ravi recently got out of a two-year relationship with a red-head from Connecticut. Ravi kept her a secret from his very traditional Gujarat parents during their time together. The reason for this is that he has to marry someone from the same caste as him.

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When Ravi goes back to India with his family, he tells his parents that he wants to be set up with an Indian woman, and the process is extremely complicated. When Ravi set’s his journey out for love, he has to register his biodata sheet which is a profile used for Indian arranged marriages. Next, you see him travel all over the US going on dates with women who are deemed to be compatible. Having your children get married is extremely important for parents in Indian culture, giving Ravi a considerable dilemma.

 

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A caste is a social class that you are from in India, and his social class is the Patel’s. Indian people with the last name Patel are the working class from India who migrated to America, many own 7/11’s and motels all over our country.

When Ravi goes back to India with his family, he tells his parents that he wants to be set up with an Indian woman, and the process is extremely complicated. When Ravi set’s his journey out for love, he has to register his biodata sheet which is a profile used for Indian arranged marriages. Next, you see him travel all over the US going on dates with women who are deemed to be compatible. Having your children get married is extremely important for parents in Indian culture, giving Ravi a considerable dilemma.

Besides the luxurious aesthetic that this film gives us about Indian culture, we learn that there should be no rule for love. We should be able to be with whoever makes us happy, not who will make our parents happy or society happy. But it is hard to forget about tradition and modern-day views on love. That is why this film is so intriguing. If you love to see culture clash, the dilemma of love, and if you like to enrich yourself into an entirely different culture, then this film is for you to put on your queue.

Remember,

“The Zos Knows”

-David Zosel 

If you want to support my writing and for me to be able to create more content you can make a donation here: Venmo

The Four “Fourth of July” Films to Watch.

The five most American things that make The United States of America the country that it is being ranked in this order:

The Revolutionary War, The Civil War, Jazz Music, Baseball, and Movies. 

So, why don’t we celebrate our nation’s birthday by watching four awesome movies? There is nothing more American than cinema. If you are looking for something to do tomorrow here is a fun-packed day of excellent movies. So, turn on your TV and have these four films playing in the background while you and your friends or kids are hanging out at the cabin.

Follow this itinerary for a good time.

10 AM:

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When everyone wakes up tomorrow, and you are trying to get the day going, make a lovely Bloody Mary and pop on Top Gun. What screams America more than Kenny Loggins and Tom Cruise, right?

12 PM:

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​Time to barbecue! Pop open a cold can of Coors Light, and while you are grilling those bratwursts and burgers, the next movie you should put on is Wet Hot American Summer. This film will really get your juices flowing for some good summer fun. There is nothing better than a cult comedy classic and a few brats for lunch.

Next, go lay in a hammock for an hour and rehydrate.

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4 PM:

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While everyone is out on the boat or at the bar or doing something else, the best movie to stay indoors and watch when it is super hot out is definitely Major League. Everyone should watch a baseball movie during the Fourth, so why not make it Charlie Sheen’s most significant contribution to cinema? Major League is a great way to beat the heat and to relax and unwind during your day-long odyssey celebrating the nation that you love. Trust me, I am speaking from experience.

7 PM: Your Feature Presentation.

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​The first three movies are for you and your group of friends to half-heartedly watch throughout the day. Something to just have on the TV. They are to cure the ups and downs of the weekend. But, Gladiator is a different story, and here is why.  Whenever Gladiator is on TV or is playing, you just have to drop whatever you are doing to watch this cinematic masterpiece. How is Gladiator American? Simple. The Americans gained independence from Great Britain. Who directed Gladiator? A Britt named Ridley Scott. What is the premise of Gladiator? A Spanish slave fighting for independence and freedom. What did the American’s do during the Revolutionary war? Fight for those two exact things. The story also takes place in Rome, which was also the blueprint for our American government that our founding fathers based this country off of. Not to mention that we are a football-crazed country and back in these times, gladiator battles were the equivalent to today’s NFL games on Sunday each being weekly events. That is why Gladiator is the quintessential film for Americans to watch on Independence Day. Imagine, watching Gladiator with all of your friends as the fireworks spark in the air. How awesome would that be? Gladiator is the feature presentation of the night and the best way to cap off your Fourth of July weekend.

Happy Birthday, America!

Remember,

“The Zos Knows”

-David Zosel 

If you want to support my writing and for me to be able to create more content you can make a donation here: Venmo

Why you need to watch “Life.”

​Sometimes the most beautiful friendships come from the conflict of self-intent versus self-purpose. Life is a film about that very conflict that which blossoms into a beautiful friendship. Tired of doing the same job over and over again, Dennis Stock (Pattinson), a struggling beat-photojournalist tries to make a name for himself by following an up and coming-unproven movie star named James Dean.
Stock’s selling point to James Dean (Dehaan) is that he can make him a star by publishing a photo essay of him in Life Magazine and this ploy doesn’t really interest James Dean at all because that is not what he wants. This biographical drama teaches us that friendship is a sweet responsibility, not a great opportunity.

The logline states:

“As he shoots pictures that would become iconic in “Life” magazine, photographer Dennis Stock forms a surprising bond with rising star James Dean.”


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The film is simple, there is no need to go into cinematic detail, breaking down cinematic details because it is merely a film about the relationship between two people. The story is a collision between two artists who try to prove themselves uniquely; therefore, they clash. The film expresses how Dennis Stock works to obtain something from a great opportunity and shows James Dean soul searching for his inner enlightenment. These dilemmas from both characters stem from the hardships from their past, present, and what is to come in their near future.
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At this point in history, James Dean is an unknown entity but is slowly picking up steam as an actor who is about to premiere his first ever feature-length film as a lead character, East of Eden. Like a shark, Dennis Stock smells blood and see’s something huge, and he attacks James Dean like a fish out of water trying desperately to get him to do this photo shoot with him. You would think any rising star would accept such a great opportunity, but James Dean doesn’t know if he wants fame, all he wants is to do good movies and to get lost in his roles. This is why Dennis Stock represents the ideology of self-intent, and James Dean represents the search of self-purpose creating a significant conflict between the two characters not in terms of their relationship but in the case of their moral dilemmas. They both seem to be looking for something that doesn’t involve one another but by happenstance are in the same boat because James Dean never writes off Dennis Stock at all. He simply responds to his requests by inviting him to be friends with him in the style that James Dean knows how to: by being cold.
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What Life instilled upon me is that we forget why we become friends with people. We only seem to befriend one another nowadays just to advance ourselves in life that is alone advantageous to ourselves. People don’t become friends with one another for the sake of only becoming friends anymore. James Dean taught Dennis Stock how to be a good friend because if someone makes a genuine effort to be your friend, you should honor that notion by reciprocating that.

This is a beautiful film about friendship. Just because you have a chance to become friends with a movie star doesn’t mean that it is an excellent opportunity because this is complete and utterly incorrect. Having a friend is a responsibility, and if we honor that ideology by nurturing, loving and caring for them, then we will begin to blossom in our lives in the way that we ought to be growing as human beings, not in the way that we intend our lives to progress.

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Final Thoughts:

Do you remember as a child when you would run up to another kid and play on the playground or color with someone else, and you would become best friends with him or her? Try doing that tomorrow. Not color or go to a playground but make a new friend. This article is dedicated to the ten friends that have made my life a lot easier just by being a good friend to me.

Remember,

“The Zos Knows”

-David Zosel 

If you want to support my writing and for me to be able to create more content you can make a donation here: Venmo

30 Ads in 30 Days – Ad 23 – Valspar Paint.

Jeremy Carson, a Creative Director based in LA, wrote an article of why you should challenge yourself to make 30 ads in 30 days with 30 different brands. This sounded like a fun challenge. For today, I wanted to touch on mental health. There is a trend of people who repaint their walls every year to enhance their mood, to help their mental health. This is like a prescription painting. The message behind this is, “I use colors on my walls, like how some people use prescription pills.” Here is ad 23 of 30.

 

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What do you think?

Remember,

“The Zos Knows”

-David Zosel 

If you want to support my writing and for me to be able to create more content you can make a donation here: Venmo

30 Ads in 30 Days – Ad 22 – Panathletic Exercise Bands.

Jeremy Carson, a Creative Director based in LA, wrote an article of why you should challenge yourself to make 30 ads in 30 days with 30 different brands. This sounded like a fun challenge. For today, I decided to promote rubber bands. Why not a fitness rubber band? Here is ad 22 of 30.

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What do you think?

Remember,

“The Zos Knows”

-David Zosel 

If you want to support my writing and for me to be able to create more content you can make a donation here: Venmo

Why You Need to Watch “Metropolis.”

​The “head” represents our leaders, making the “hand” our society. Remember, the “heart” is between the head and the hand. Two divided classes that collide. Who wants to be the vital “heart” that unites the two?

This is a bold suggestion, Metropolis. Yes, your grandparents may have not even been born when it premiered. Due to the “horror,” the world is witnessing; Metropolis was a film far beyond its time that transcends beyond today’s present issues. Metropolis told people of a different generation who were new to the idea of cinema what the world was going to come to, predicting the future.  

The logline states:

“One powerful city with only two different kinds of people. No one cares. Until a wealthy man goes underground.”


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​If you are a fan of fairy tales, then Metropolis is a no-brainer. This is a German film that came out during their depression before WWII which caught the eye of Adolf Hitler because of its subject matter on the social and political change in which is happening not only in the USA right now but exponentially all over the world.

Despite its futuristic setting at the time, audiences drew parallels from the current events from the era, which is the name of the game when it comes to science fiction films, making it the first ever film of its genre. Metropolis represents the current state of our world: a dystopia.

Movies and other mediums of art can tell the future. But, why do we choose to ignore artists like Fritz Lang, Kubrick, Picasso, and even Kanye West? I have always oddly thought that science fiction warns us of the danger that the world may bring us. If mankind still had no clue of the atrocity that was going to come to our world when Metropolis hit theaters, a film that gave us this massive hint, then when are we going to wake up and realize that we need a change from the “negative” to live in a world of positivity? 

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Yes, it is old, silent, foreign, black and white- over two hours long and may bore most people in the new sexy “Pokemon Go” culture that we live in. But that is why you should love it.  This is cinema’s most culturally significant film of all time. Everybody should see this film in their lifetime. 

I am not predicting the future, I am telling the future to my readers that if we do not act on the critical issues of our modern world positively; we will be living in the dystopian future that artists have depicted since neanderthal’s scratched paintings in caves. If Adolf Hitler saw this film, realizing the horror that the world was in and attempted to fix it in his radical way, then what I am trying to ask is why do I agree with him on the issue that the world needs to be fixed after viewing Metropolis in 2016? I want to know if anyone else in the world agrees with this notion because if you genuinely watch this film and you do not see the striking parallel’s of a movie from yesteryear with today’s issues, then the world needs a more prominent wake-up call. That is why I know that movies are my calling because if Metropolis cannot make you see the things that I see, then I am going to make a film that makes you realize my vision. But, for now, watch Metropolis.

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​Adolf Hitler saw the future through this film and acted radically out of by being a coward because he was frightened of the future. This is why we need to act out of positivity, putting good back into the world. I will not act out of fear because I want to do positive things. Don’t live in this world out of fear.
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Be like me, fearless, positive, and a heart full of love.

Forget the head and the hand, be the heart because I will be your heart. I will always be your heart. 

Hence, is why Metropolis is a film that you need to watch on Netflix. After you view this film and if you agree with me then I am asking from the bottom of my heart for you to share this article with everyone.

In conclusion, I want to top things off with a quote from Ice Cube as a message to the world:

“You better check yo self before you wreck yo self.” 

David Zosel
The Cat of Cinema ​

If you want to support my writing and for me to be able to create more content you can make a donation here: Venmo

Why You Need to watch “Fastball.”

We live in a cosmic universe. For those of you who don’t know what that means, look at it this way: chaos. Round rocks that explode everywhere colliding into other rocks create a level of unpredictability, just like baseball. A man standing on a hill throwing a rock going at (basically) the speed of light at a man standing on a plate trying to hit it with a stick gives baseball a cosmic sex appeal. For those of you who are not baseball fans, Fastball is a documentary film that will provide you with a new admiration for our nation’s past time.

The logline states:

“Scientists and baseball great analyze what a batter faces when a pitcher hurls a fastball, which takes less than half a second to reach home plate.”​


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​First of all, Kevin Costner narrates this documentary. For those of you who are not familiar with Kevin Costner, he is “The Ball Player of Cinema.” He has appeared in such classics like Bull Durham, Field of Dreams, For the Love of the Game and he even played a retired player in The Upside of Anger. All classics.

Hearing some of the greatest hitters talk about their experiences facing the game’s most intimidating pitchers who throw over 100 mph is worth a watch regardless if you are a baseball fan or not.  My favorite part of the film is learning how mentally tough being a pitcher is. Fastball has excellent insight from pitchers from today and yesteryear explaining how they use their greatest weapon in different ways.

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​Imagine being all alone on a mound and it is just you and the batter. Everyone else is basically just dust in the wind at this point. I never pitched while I played baseball, but as a hitter, I’d always imagine being in a dark room with the pitcher. Just me and a piece of meat that I had to hit. I would look that pitcher right in the eye and try to fry him every time and oh baby, I’d be sizzling. What surprised me the most was to hear Hall of Fame baseball players talk about how scared they were of facing sure pitcher’s fastballs, even though they knew the heater was coming.

I was baffled by this.

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​This film goes beyond baseball. Fastball transcends into the ultimate question of “What if”? That question bleeds into romanticism, the idea of subjectivity-inspiration, and the primacy of an individual.

Fastball makes me think and asks that very question. What if Babe Ruth faced Justin Verlander? What if David Price faced Wade Boggs or Carl Yastrzemski? Sandy Koufax versus Ichiro? Ted Williams versus Walter Johnson or even Aroldis Chapman? What if we all tried world peace for a chance preventing all of these mass murders, shootings, genocide, war and all of that negativity in the world that is happening now? What if Kevin Costner ran for President? What if we all just put our guns down and did something positive, like playing baseball?

Sounds crazy but, what if?

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Like I said, this film goes beyond baseball, and I am only saying that because it is a cosmic game and we live in a cosmic universe. This is a beautiful lesson that you are going to learn while you watch this film and it is fantastic!If you don’t understand my theory of baseball and the cosmos, then watch this film and create your theory and let me know because nothing is more romantic than that; and how can you not be romantic about baseball?

David Zosel
The Cat of Cinema

If you want to support my writing and for me to be able to create more content you can make a donation here: Venmo

Why You Need to Watch “Tallulah.”

Doing the hardest thing and the right thing are both equally as painful.

But, when is it the right time to do the right thing and the appropriate time to follow through with the hardest action that you have to make in your life? Tallulah is a film about differentiating those two convictions.

A few nights ago, I opened Netflix, and my computer had a glitch. Suddenly, it began to play Tallulah. I said the “hell with it” because I love movies. I will watch movies on purpose or an accident by stumbling into them. Boy, let me tell you that this was the best happy accident that I have ever had in a long time.


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The logline states:

“She didn’t set out to steal a baby. But a split-second decision is about to turn her freewheeling life upside down.”

Ellen Page gives her best performance since Juno, recreating her finest reincarnation of “herself” as the titular Tallulah, a girl named after a bar that her parents met at, not the famous river in Georgia. She plays a free spirited-daring girl who lives out of her van that barely scrapes by that just enjoy’s life; carefree and rent free.

In short, her boyfriend leaves her for a more stable life, and she decides to follow him to New York City while he tries to reconnect with his estranged mother. While trying to survive in the Big Apple, she stumbles into a fancy hotel room only to find a delusional “sugar mama” with a child, in which she neglects, who swipes her husband’s credit card, consumes severe amounts of alcohol and adulterates. Tallulah seems to be mistaken for a nanny or an employee at the hotel by the “sugar mama” and ends up taking care of the child.The condition that this little girl was left in was terrible. It seemed like this woman didn’t even want her child for cripes sake! After spending a day with the little rugrat, the “sugar mama” stumbles home black-out-drunk utterly unaware that she has a child to come home to.

Do you know what the free-wheeling Tallulah does? She takes the little girl out of fear for the rugrat’s life because she thinks she is doing the right thing. Tallulah knows that she can save this child before she is old enough to be corrupted by her mom. Here, she is doing the hardest thing but, is it the right thing?

​We all can relate to Tallulah in a way because everyone wants to commit to an act of bravery despite the consequences. This film takes you on a twisting reality check of learning the difference between knowing how to act out of courage and justice.

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​ After the police are involved, and she is sought out, it is gut check time for Tallulah. She now knows that she can do the hardest thing, but does she know if she is capable of doing the right thing?

Most people in this world don’t even know how to do one or the other.

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This film is all about delusion, reality gut checks, and coming of age decision making. I want to point out that the term “coming of age” doesn’t always mean a young person gets to learn something great. It applies to a 50-year-old, a 10-year-old and basically anyone learning to become something on their own of the enlightening issues of who they really are and can be. Coming of age is finding your most genuine potential and becoming your best self. This is what is so great about this film because we see someone do one of the hardest things ever; standing up for what is right even though it is so wrong. What insinuates from this action is an equal reaction from all of the other main characters in the film.

Hence, why the hardest thing and the right thing are the same.

David Zosel
The Cat of Cinema

If you want to support my writing and for me to be able to create more content you can make a donation here: Venmo

Dear, Grandpa Jim. Here is why you need to watch “St. Vincent” on Netflix in heaven.

The dictionary defines a Saint as a person with great holiness, virtue, and benevolence. Which proves my new found scientific study that Bill Murray is a Saint. If you don’t believe me, watch St. Vincent tonight on Netflix, and you will most certainly find out.

​Who in your life do you know is a modern day Saint?

The logline on Netflix states:

“With his parents preoccupied with their divorce, lonely 12-year-old Oliver strikes up a friendship with his war-veteran neighbor Vincent.”


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​I am a firm believer that children need mentors other than their parents because not every message parents convey to their kid’s will get through to them. Sometimes, a message that a parent tries to convey is better understood when it comes from a mentor because let’s face it kids don’t always listen to their parents.

Oliver, played by Jaeden Lieberher, experiences his parent’s divorce and faces the challenge of being the “new kid” at school. The feeling of lonesomeness can be harsh on anyone, let alone a weak little kid. With no father and no friends, you just empathize with Oliver and his mother, played by Melissa McCarthy.

Enter Vincent, played by Bill Murray, an alcoholic Vietnam War Vet who eats sardines sleeps with the “Lady of the Night,” and has no affection towards life or anyone in general. Does Vincent sound like a role model to you?

Well, you’d be surprised.

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​This film reveals how kids can open up another side of us that we didn’t know existed or maybe forgotten about. At first, Vincent seems to be the scum of the earth, but his overall character arch reveals to us why he is someone that we should care about. The moment he reaches out to Oliver offering him help, the audience begins to realize that he commences his journey of rediscovering himself and what he stands for. Moreover, this is a story not about change but about rediscovering your true self through self-reflection.

This relationship is a double edge sword. As Oliver begins to idolize his new babysitter, Vincent rediscovers his soul through his self-reflected relationship with Oliver.


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This film reminds me a lot of my relationship with my Grandpa Jim.
I had a lot of male role models in my life that came in all different sounds, shapes, sizes, and colors. My Grandpa was my most particular friend, idol, and role model. He was Saint James. I remember from a very early age that I wanted to be exactly like him.

When I was five, I began to acquire skills that most kids don’t develop. We all have our idols and role models, but Jim Zosel was something else. Jim was a teacher, preacher, and a screecher.  If that is what he is, then that is what I am too.

Not many people teach 5-year-olds how to bake bread, 7-year-olds how to use power tools, swim, bike, paint, draw, wear cool hats, and most importantly learn how to be a people person. Goodness, he taught me how to use a bandsaw at age 7! I remember helping my Grandpa install worms in his basement so he could compost during the winter. What other kid learns the importance of vermiculture at age 9? Me, that’s who. He taught me how to fix bikes, drive, cook, and to think outside the box. The list just keeps going on, and these are the sorts of things that Vincent teaches Oliver in the film.

My Grandpa was Saint James. He was a man of humor, heart, and quirkiness. He laughed from his heart, smiled with his eyes, and every word he spoke was sung with such love and joy. But, most importantly, he listened with his eyebrows and heard you with his soul. Not too many people can listen because most people just can listen to you speak, but they don’t listen. Saint James mastered both. That is what a Saint is to me, making him my Saint James.

He was a “Jack of all trades,” a master of none.

I learned countless things from Saint James. The one thing I want to share with you what he taught me is that it is essential to be dynamic. He instilled in me that you need to know a little bit about everything because if you do, you just may be the smartest person in the room.

St. Vincent is a film that we all can relate too, whether if you are young or old. I, one hundred percent saw myself walking in Oliver’s shoes throughout the film because of how beautifully the relationship between him and Vincent unfolded.

Then I realized that if WWII didn’t happen in the 1940s and if somehow someone sparked the idea to my Grandpa to go to Hollywood and be a comedic actor, he would be Bill Murray. My grandpa is Bill Murray before Bill Murray was even born. If someone were to play my Grandpa in a film, I’d choose him. No doubt. But, he would never do him the justice that he deserves because to me, there is only one Grandpa Jim.

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I have a big family, and my Grandfather touched the lives of many people. When he passed away in October, the light of my world felt like it just burnt out. But it didn’t. It dimmed a little, so it could grow bigger and stronger. I say with confidence that I had the most extraordinary relationship with my Grandpa out of everyone in my family because that flame of mine might have dimmed a little but he passed his torch to me, and now the fire in my life is growing higher and higher.

St. Vincent is a film that has evoked so much emotion from me. I wouldn’t be a man I was if it weren’t for my Grandpa, I would probably be half a man or a quarter of one. That is why I believe that it is so essential for children to have mentors outside of their parents.

Every kid needs a role model to look up to. I had my Grandpa.

Thank you so much for everything Grandpa.

So if you miss me up in heaven, watch this movie on Netflix, and it will rekindle a lot of fond memories of the both of us.

I love you, forever and always.

Your favorite Grand Kid, hands down.
David Zosel
The Cat of Cinema

If you want to support my writing and for me to be able to create more content you can make a donation here: Venmo

Why You Need to Watch Kanye West’s, “Runaway”.

If no one is going to step up to the plate and come forth as God, then it might as well be Kanye West.

Just kidding.

But, I don’t believe that he is God by any means. Polytheistically speaking, he may be the “God of Creativity,” that may be a stretch, but he is certainly not God himself.

In my personal opinion, Kanye West is a creative genius, and he uses his art to promote the word of God in his unique way.

I want to focus on the fundamental basis of how God wants us to live our lives and compare them to what Kanye West is trying to accomplish as a self-proclaimed “God” by using his short film, Runaway, as an example because the two have very similar beliefs.

God wants us to live a glorious life, love with all of your heart, and to show forgiveness for all of the sinners. Most importantly, he wants you to be able to have patience, promote, praise, promise, and to have provision.

These principles are shared by Kanye West and God. So, doesn’t that make them the same person?

Absolutely, not.


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He is not the only human being to proclaim himself as “God,” but I believe that he is the only relevant, non-threatening person who is trying to do right by the world since maybe Mother Theresa. That is why I have devoted my faith to the Hip Hop Cathedral of Kanye West.

Again, I am just pulling your chain.

I just really want to entertain the idea that his purpose in life is to just make meaningful art that promotes a good message because right now he is going through a tough time and everyone is giving him a lot of grief that he doesn’t need.

My Beautiful Dark Twisted Fantasy is Kanye’s magnum opus album. Most fans of this album but have not even seen his short film Runaway that he directed for the record. This man is a creative genius and has every right to say that he is.

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​Kanye West takes an underlying love story and makes it so inhuman to us that it makes us realize our mankind’s potential.

Instead of the story being between a male and a female, it is set between a half-phoenix-half woman and a man. Kanye wants you to meet a companion that is entirely different from you, hence bringing diverse people together and opening up your mind to new worlds.

In the film, Griffin, played by West, saves her/this creature after crash landing on earth. Kanye wants you to be your own savior. The only person who can keep you is yourself. How can you save anyone if you can’t save your own self?

As she wakes up for the first time in the film, she comes into contact with human objects and becomes intrigued by the television screen showing the news. Griffin then tells her that the first thing you need to know in the world is to never pay attention to anything on the news. The lesson being taught here is that Kanye only wants you to listen to yourself, not what anyone else tells you.

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Another notable scene is where Griffin begins to create, playing a remix version of POWER, where the Phoenix begins to dance. Kanye wants you to have the power to tame your inner beast, the power to create your own destiny. If you can accomplish this, then nothing can stop you. That is what Kanye wants us to realize; that anything is possible.

If you were to spend a day with Kanye, this short film is the perfect example of what it would be like. Now, if you were to be a woman on a date with Kanye, he would throw a parade for you with a marching band, fireworks, and paper mache floats of Michael Jackson. That’d be a first date that I’d like to take a girl on. Why? This is because Kanye wants you to only give the best things and an opportunity to the people that you care about.

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Most importantly, I need to touch on the dinner party scene. Griffin enters his dining room full of people of all cultures that are dressed the same. He and the Phoenix are the only ones who look different, showing their ability to be original free-thinking, non-conformist individuals. Despite being gossiped about at his own dinner party in his own house, Griffin/Kanye West wants you to be your own person. Not what other people want you to be.

Every day of my life, I just want to walk away from a group of conformists and go up to a piano and start pounding it. Every day I resonate with this moment in the film because it is hard to break away from a group to openly free think to be your own self that you want to express to the world.

As he pounds the keys on the piano, playing the opening riff to Runaway, he summons ballerinas as his dinner party entertainment. This is Kanye summoning his inner peace, and that is what he wants you to do in this life; find inner enlightenment. If you cannot do these things, then how can you be able to be your own individual and follow your dreams?

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​Here is the crucial point’s that Kanye is trying to make in this short film that coincides with God:

1. Love yourself, be your own savior so that you can have salvation for others. (Love and Forgiveness)

2. Only listen to what comes from your heart. Listen to yourself, not others. (Praise)

3. Tame your inner beast to create your destiny. If you can do this, anything is possible. The only one stopping you from your dreams is yourself, and it takes some time to become one with the self.  (Patience) 

4. Only provide the absolute best love and care for the people that matter in your life. Give your best to the people of the world. (Provision)

5. Be a free-thinking individual because you are original. Don’t conform. Don’t be a copy, be yourself.  (Promote)

6. Find inner peace with yourself. Enlightenment will find you at your best. If you are at your best, then you can pursue your dreams and be the best fit to obtain the life that you want. (Promise)

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These are all the same principles that God’s from most religions, big and small preach.  Does this make Kanye a God or disciple of Jesus Christ himself?

That is up for you to decide after you watch this short film with my idea’s and thoughts in mind.

Remember,
“The Zos Knows.”

David Zosel
The Cat of Cinema

If you want to support my writing and for me to be able to create more content you can make a donation here: Venmo

A great Christmas Day Film that needs to be made.

Happy Holiday’s everyone!

I hope you all are enjoying time with your family and friends this holiday season. Most importantly I hope you are all spending time at the movie theater on Christmas day, experiencing all of the cinematic blockbuster goodness that Hollywood has to offer.

Being from Minnesota, with the exception of our WNBA team, the Lynx, we could possibly be one of the sorriest sports cities in all of the “US of A” right now. The Vikings love to annually break our hearts. The Wild really like to inspire hope that they will bring us Lord Stanley’s Cup during this time of year. The Twins are just hopeless, and who in the hell cares about the Timberwolves?

But, there is one thing that we can hang our head’s upon and stick our chest our proudly about because we are the state that produced one of the most significant volunteer regiments for the Union in the American Civil War.

Football, baseball, war; all the same thing right?

Here, I present to you a research paper that I wrote when I was 17 year’s old. It is about the First Minnesota Volunteer Infantry and how their efforts during the Battle of Gettysburg was the most crucial moment in the Union’s conquest to win the war. I believe that the basis of this paper would make one of the greatest war films of all time. 


The Heroic Efforts of the First Minnesota Volunteer Regiment at The Battle of Gettysburg:

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        The American Civil War weighs on the hearts and minds of many Americans. There have been differing opinions by historians from the North and South. A lot has been written about the American Civil War, which took place during the mid 1860s. The general public knows about great battles and courageous heroes such as Colonel Samuel L. Chamberlain, General Ulysses Grant, General “Stonewall” Jackson, and General Robert E. Lee.  Hardly anyone has heard of Colonel William Colvill of the First Minnesota Volunteer Regiment. One of the biggest contributions during the American Civil War took place at the Battle of Gettysburg where the First Minnesota Volunteer Infantry charged a broken line for about ten minutes, which prevented the Confederate army from breaking through the center of the battlefield.  It prevented a quick and decisive end to the battle and perhaps the war.   First Minnesota’s contribution at the Battle of Gettysburg was the most courageous effort in the American Civil War. It has been overlooked by many historians.  Other heroic aspects of the battle such as Little Round Top receive more notoriety on a national level.

​         When the American Civil War broke out at Fort Sumter in 1860, Minnesota was just three years old as a state. When President Abraham Lincoln called for 75,000 troops in 1861, Minnesota Governor Alexander Ramsey just so happened to be in Washington D.C. at the time (Folwell 4). Governor Ramsey was committed to get as many troops as he could from the state of Minnesota. The regiment was organized at Fort Snelling, Minnesota, on April 29. The First Minnesota Infantry Regiment was one of the first units organized after President Lincoln’s call for 75,000 troops. The regiment was quickly filled with enthusiastic men from all parts of Minnesota and was one of the few regiments that received training by a qualified officer. By April 30th, 1861, there were nine hundred volunteers that had been mustered into training at Fort Snelling. By June, one hundred more men joined the training at Fort Snelling increasing the number of volunteers to one thousand (Watts 195).

Military training at Fort Snelling was underfunded but very rigorous. The training was lead by Colonel Willis Arnold Gorman, a veteran of the Mexican War, who gave First Minnesota the knowledge and training that they needed (Folwell 4). Being a new state at the time, the training was poorly funded. There was a lack of food, equipment, and uniforms. Despite a lack of resources, Colonel Willis A. Gorman proceeded on with an extremely tough training program to get the volunteers ready to fight in the war on time. Daily drills went on at the fort in company, battalion, and regimental formations. Most officers and raw recruits weren’t really familiar with the fundamentals of drilling and military maneuvers. On route to Washington, they stopped in Chicago for a parade. The next day the Chicago Tribune wrote: “There are few regiments we have ever seen that can compare in brawn and muscle with theses Minnesotans, used to the axe, rifle, the oar and the setting pole. They are unquestionably the finest body of troops that has yet appeared in our streets.” (Folwell 6) The mighty lumberjacks from the Minnesota were ready for battle.

Minnesota’s regiment was involved in many key battles from Bull Run to Gettysburg. They did not have to wait long for its initial taste of fighting. They fought at Bull Run on July 21, 1861, and suffered heavier casualties (147 killed and wounded) than any other Northern regiments engaged in battle.  Antietam was a lost cause because First Minnesota played a part in stopping the Confederacy from getting to Washington, but General McClellan wasted the opportunity to chase after the Confederates to win the battle decisively (Moe 189). McClellan didn’t realize that he had the South outnumbered. Antietam became an unnecessary draw.

They played another big role in the battle of Fredricksburg. On May 3rd and 4th, 1863, they fought courageously with lots of heart and helped force the confederate army to “skedaddle” (Folwell 23). When General Howard commented that Minnesota’s troops held firm, General Alfred Sully replied, “The First Minnesota never runs” (Folwell 23).

The Union was unable to win a significant battle on the Eastern front, like Bull Run, Battle of Seven Days, Fredericksburg, and Chancellorsville. Antietam was considered only a hollow victory because the Union army stopped the Confederates from advancing to Washington D.C. but they did not pursue the Confederates when they had a chance to win decisively.  The Union Army was later given the command to follow the Confederate Army, who marched north along the west side of the Blue Ridge Mountains for protection. William Colvill, the First Minnesota Colonel, did not fully follow orders. As he was marching First Minnesota up the Monocacy River, they ran into some congestion that slowed the regiment down (Holcombe 349). He decided to let some of his men march around the river near Frederick, Maryland. The next day, the regiment experienced the embarrassment of having its Colonel arrested (Folwell 8). This decision produced strong feelings of resentment from the men who felt that their Colonel was dealt with unfairly. In the summer of 1863, the Union was in desperate need for a victory as the Confederacy was getting farther and farther into Union territory on route to Washington DC.  For the Confederate army to get to Washington D.C., they had to go through Gettysburg where the Union Army was standing in the way.  Luckily, General John Buford arrived at Gettysburg, days before the battle began to survey the land (Moe 258). Buford took command of the high ground because it would give the Union a huge advantage. Buford’s strategic concept of taking the high ground led the Union to victory at the Battle of Gettysburg (Moe 259).

Awakened at 3:00 a.m. on July 2, First Minnesota arrived on Cemetery Ridge at  5:45 a.m. and soon welcomed Colonel Colvill, who had just been released from his arrest and reinstated into the army. Sergeant James A. Wright wrote about how the regiment responded. When Colvill showed up, “He was received with a spontaneous outburst of cheering and clapping of hands,” said Wright (Leehan 34). This rallied the troops and gave them a morale boost.

First Minnesota was instructed that they had to sit out in reserve. Light cannon fire shot throughout the day, killing one soldier and wounding another. First Minnesota had to sit and watch in frustration seeing, the Union Army losing yet another battle due to poor leadership and unwise battle tactics.  An example of poor leadership that day came from General Daniel Sickles (Moe 264). His lack of military training became evident when he concluded that he didn’t like the ground he had been ordered to defend.  Sickle decided to do something about it. He ordered his troops to break ahead near Plum Run, which left a hole in the right side. Sickles had found the higher ground he was looking for, but in doing so, he had left both of his flanks hanging in the air, and it dangerously exposed a hole for the Confederate Army. Sitting there and watching in frustration was the First Minnesota regiment, awaiting their chance to do something about this erroneous decision. Sergeant John W. Plummer wrote about their frustration: “We all felt very bad, but resolved when our chance to do our best to retrieve the fortunes of the day, hardly expecting to come out of the conflict unharmed.” (Moe 266)

Most soldiers in the face of the near advance of such an overpowering Confederate force would have panicked and retreated. But First Minnesota had never yet deserted any post and had never retired without orders.  At 7:00 pm, General Hancock, rode up his horse at full speed, calling out as he reached First Minnesota: “What regiment is this?” he shouted (Kunz 38). Colvill responded, “First Minnesota.” “Charge those lines,” commanded General Hancock (Kunz 38). The soldiers of First Minnesota realized in an instant what the order meant; they needed to stop Confederate General Wilcox’s advancing brigade. This sacrifice of First Minnesota’s regiment was to gain a few minutes of time and save the position and probably the battlefield. Every man accepted the necessity for sacrifice because they knew that without them, a clear road to Washington D.C.  for the Confederate Army (Kunz 39).

Responding quickly to Colvill’s orders, the regiment quickly got into a perfect line. With muskets on their right shoulders a shift was in a moment sweeping down the slope directly upon the charging Confederate army.  First Minnesota, moving at double time, not stopping to fire, although the enemy fired immediately, began to thin the ranks. “Charge,” shouted Colvill, and with leveled bayonets at a full run the Minnesota men rushed upon the rebel lines (Kunz 39). They charged up the ravine near Plum Run. Each of the soldiers attacked with their bayonets and then fired their muskets at a point blank range, creating a one-two punch impact (Leehan 63). They momentarily pushed back and confused Wilcox’s troops who outnumbered Minnesota by 4 to 1.

First Minnesota did their job and held that line for about ten minutes so reinforcements could come to close the line and provide support. Once reinforcements came from the 19th of Maine, the 111th of New York Regiments and other New York Regiments, Hancock eventually ordered the diminishing First Minnesota to fall back.  Their efforts helped the Union Army maintain a solid position to prevent the Union from losing the battle on day two. Some soldiers thought that falling back was more frightening than the charge itself. Private John Plummer wrote, “We dreaded to go back for the danger of it… We fell back and it was then I had the first feeling of fear during the fight. I felt almost sure I would be hit and I saw many wounded going back.” (Leehan 74)

With twilight approaching rapidly, the second day of battle ended. Only 47 of the 262 men were left standing to answer the regimental roll call. Of those 262 men, 215 were dead or severely wounded (Kunz 39). It was the most severe loss suffered by a Union regiment during the American Civil War. Of all those men, none of them were reported missing. First Minnesota’s brave and gallant men were sacrificed to save the Union Army from devastation. They lost 82 percent of their men.

The third and final day of the battle awaited another ordeal for the Minnesota survivors: Pickett’s Charge.  First Minnesota rejoined their brigade.  They were placed on the front line of the Second Division, Second Corps, whose position later was to become the new objective of the Confederate General Lee. After two hours of continuous cannon fire, the guns suddenly stopped. Later, lines of gray uniforms emerged from the woods as 15,000 Confederate soldiers headed directly towards the Second Division’s position.  First Minnesota, with only 47 men, rushed to join other regiments to stop “General Pickett’s Charge.” When the South was defeated, General Robert E. Lee began his retreat southward. First Minnesota’s participation on the third day resulted in seventeen more deaths in the regiment (Kunz 40).

The Union victory at the Battle of Gettysburg was the turning point in the American Civil War because it prevented the Confederacy from marching into Washington D.C. and win the war. It also gave the Union lots of confidence that they could win the war. Gettysburg was the first major defeat suffered by Lee. It repelled his second invasion of the North and inflicted serious casualties on the Army of Northern Virginia. From this point forward, Lee attempted no more strategic offensives.

Two men from Minnesota, Henry D. O’Brien, a corporal from St. Anthony Falls (Minneapolis) and Marshall Sherman, a private from St. Paul were awarded the Congressional Medal of honor, established in 1862, for bravery in action at Gettysburg (Kunz 40). O’Brien received the award for his cited gallantry in action on the last day of the Battle of Gettysburg (Kunz 40). Sherman won the award for capturing the flag of the 58th Virginia Infantry, which was also on the last day of the battle (Kunz 40). The flag of the 58th Virginia Infantry lies in the Minnesota Historical Society to this very day.

For such a courageous effort to hold the line so that reinforcements could come along, First Minnesota receives little recognition on a national level. Little Round Top, a similar heroic effort, gets more attention than First Minnesota. Little Round Top, lead by Colonel Chamberlain, and First Minnesota, led by Colonel Colvill were extremely similar because they both had to hold their lines in order to prevent the Confederate army from winning the battle. But there were many key differences that set’s First Minnesota apart.

The two heroic parts of the battle were fought on different terrain. Little Round Top was fought on significantly high ground and behind trees and rocks for cover. Colonel Chamberlain, alongside nine regiments, was on top of a steep hill. The Confederates had a long climb to the top. Chamberlain had an advantage that eventually propelled him to victory, whereas, First Minnesota was at a disadvantage because they had to fight uphill in a ravine. They also had to fight out in the open, not behind any trees and rocks. Moreover, they were shot at from three different directions and still managed to stop the Confederate advance for those ten minutes. Thus, First Minnesota had to fight on more difficult terrain than the regiments on Little Round Top.

Little Round Top had a better ratio of troops versus the Confederates than First Minnesota did. Colonel Chamberlain and the regiments of Little Round Top had 2,996 soldiers versus 4,864 Confederate soldiers. On the other hand, First Minnesota had only 262 men versus an approximate 1,100 men or more. In essence, the regiments of Little Round Top were out numbered by 38 percent versus First Minnesota who outnumbered by over 4 to 1.

First Minnesota suffered a greater percentage of casualties than the regiments of Little Round Top.  The regiments of Little Round Top suffered 565 casualties who were killed or wounded. This is a 19 percent loss. First Minnesota suffered a greater loss of 82 percent consisting of 215 casualties killed or wounded. Remarkably not a man from First Minnesota was missing. It was the most severe loss of a Union regiment during the American Civil War.

First Minnesota’s battle position served a greater strategic importance. The regiments of Little Round Top needed to defend the left flank of the Union Army, the bottom of the famous Fish Hook. The Confederate army of General Longstreet wanted to go around the left flank of the Union army. Had they been successful, they would have been able to eventually advance behind Union lines for an eventual and probable victory. First Minnesota had to defend a broken line created by General Sickle. Had the Confederate Army broken through that line the battle would have been lost immediately. It is very similar to football. If you can run the ball up the middle versus around the end, you will score more touchdowns. Battlefield tactics follow a similar principle.
General Hancock, who is credited for his keen strategic battle decisions at Gettysburg, recognized the exploits of both parts of the battle on July 2nd. But he stated the following about First Minnesota:

I had no alternative but to order the regiment in. We had no force on hand to meet the sudden emergency. Troops had been ordered up and were coming on the run, but I saw that in someway five minutes must be gained or we were lost. It was fortunate that I found there so grand body of men as the First Minnesota. I knew they must lose heavily and it caused me pain to give the order for them to advance, but I would have done it if I had known every man would have been killed. It was a sacrifice that must be made. The superb gallantry of those men saved our line from being broken. No soldiers, on any field, in this or any other country, ever displayed grander heroism.
(Folwell 13)

The American Civil War still weighs on the hearts and minds of many Americans across the country; especially in the South. It is agreed by most historians that the Battle of Gettysburg was the turning point of the war. It is now clear that First Minnesota played the most heroic and significant part of the battle and consequently the war. Those ten minutes were critical. They fought uphill. They were outnumbered. They defended a broken line and sustained high casualties.   One cannot dispute the accomplishments of Little Round Top, but First Minnesota’s achievement was clearly more difficult and significant. On July 2, 1897, a statue sculpted by Jacob Fjelde was dedicated and unveiled at Gettysburg in the exact spot where the charge began. Although the exact numbers may have been slightly embellished through the years due to inaccurate battle records, we still need to recognize this monumental feat by the brave men from Minnesota.

May their heroic sacrifice never be forgotten. 

Works Cited.

Aby, Anne J. The North Star State. A Minnesota History Reader. St. Paul: 1997. Print.
Army of Northern Virginia battle flag.  [between 1861 and 1863].
Minnesota Historical Society Museum Object   6421
Bailey, Ronald H. The Bloodiest Day: The Battle of Antietam. Alexandria, Virginia:             T           Time-Life Books, 1984. Print.
Bjornson, Val. The History of Minnesota. Volume 1. West Palm Beach, Florida: Lewis Historical Publishing  Company Inc., 1969. Print.
Catton, Bruce. The Picture History of the Civil War. New York: American    Heritage Publishing Co., 1983. Print.
Elson, Henry W. The Photographic History of the Civil War: The  Decisive Battles. New    York: Crown Publishers, 1983. Print.
Engle, Stephen D. Gallagher, Gary W.  Krick, Robert K. McPherson, James M. The    A American Civil War: The Mighty Scourge of War. New York: Osprey   Publishing, 2003. Print.
Fitzharris, Joseph, Brackett’s Battalion: Minnesota Cavalry in the Civil War and Dakota W   War. The Journal of Military History Vol 68, Issue 4, October 2004
Folwell, William Watts. A History of Minnesota. Volume 2. St. Paul: The Minnesota
Historical Society, 1961. Print.
Hospes, Adolphus C. Roster of the First Minnesota Regiment, Volunteer Infantry, enlisted at Fort Snelling, April 29, 1861, for three years. Stillwater: Journal, 1910. Print.
Kunz, Virginia Brainard. Muskets To Missiles A History of Minnesota History.
St. Paul: Minnesota Statehood Centennial Commission, 1958. Print.
LaFantasie, Glenn W. Twilight at Little Round Top.  New York: Vintage Books, 2005.  P        Print.
McAfee, Michael J. The First Regiment Minnesota Volunteer Infantry, 1861-1864 : “Every Man In The Regiment Did His Whole Duty.” St. Paul: Minnesota Historical Society Press, 2008. Print.
Holcombe, RI. History Of The First Minnesota Volunteer Infantry, 1861-1864.
Hudson: St. Croix Valley Civil War Round Table, 2006. Print.
Moe, Richard. The Last Full Measure: The Life Of The First Minnesota Volunteers.
St. Paul: Minnesota Historical Society Press, 2001. Print.
Leehan, Brian. Pale Horse at Plum Run. St. Paul: Minnesota Historical Society
Press, 2002. Print.
Rodenbough, Theo F.  The Photographic History of the Civil War: The Cavalry. New        York: Crown Publishers, 1983. Print.
Sears, Stephen W. Gettysburg.  Boston: 2003, Mariner Books. Print.
Stackpole, Edward J. They Met at Gettysburg.  Harrisburg, Pennsylvania: The          Telegraph Press, 1956. Print.
Trudeau, Noah A.  Gettysburg: A Testing  of Courage.  New York: First Perennial,
2002. Print.
Wright, James A. No More Gallant A Deed. St. Paul: Minnesota Historical Society
Press, 2001. Print.
Minnesota Historical Society Press. Minnesota in the Civil and Indian Wars. St.
Paul: Minnesota Historical Society Press, 2005. Print.
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Monument dedicated to the First Minnesota Volunteer Infantry at the battlesight of Gettysburg. 
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I will be honest with you that I received a C+ on this paper. It is probably because I embellished and fictionalized my thesis, but isn’t that what you are supposed to do as a historian? This was the last time I got anything lower than an A on a paper and I have been writing in spitefulness ever since in order to avenge my bad grade.

Just kidding.

Anyway, if I were to change one thing about this research paper it would be the thesis:

“The First Minnesota Volunteer Infantry would make a kick-ass Christmas movie that should open on Christmas day.”

Now that is an A+ thesis.

This is a story that should be made into a film. If our city can’t produce championships, we should produce a film about our most winning team; The First Minnesota Volunteer Infantry.

Yes, and I do have that much pride as a Minnesotan that I am confident that this would make a historically significant film.

Happy Holiday’s and remember,
“The Zos Knows”.

David Zosel
The Cat of Cinema

If you want to support my writing and for me to be able to create more content you can make a donation here: Venmo